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  • Train to Busan

    Train to Busan

    ★★★½

    Horror firme e bem dirigido, sem muitas firulas e com um ritmo contagiante. Partindo de um cruzamento entre o confinamento espacial provocado pela praga de zumbis e o drama de reconstrução familiar à Shyamalan, o filme trabalha o tempo inteiro dentro dos arquétipos de gênero, com perspicácia (alguns personagens escapam às expectativas e encontram destinos inesperados) e muito senso de humor, mas sem apelar para o cinismo autoconsciente contemporâneo: fuleiro e jocoso sim, mas sem nenhuma necessidade de sublinhar a própria picaretagem. A coreografia dos zumbis-bailarinos é um espetáculo à parte - tão boa quanto a dos melhores filmes de ação de Hong Kong.

  • The Dream Team

    The Dream Team

    ★★★½

    Another good surprise (from the director of "My Girl").
    Characters very well (and rapidly) constructed, great plot twists, humour somewhere between Hughes and the Farelly Brothers. Some scenes remarkably staged, as the one in which the guy who believes he's Jesus tells a patient to "stand up and walk" at a hospital.

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  • Mommy

    Mommy

    ½

    Obvious miserability drama, with tons of cosmetic touches like slow motion, extremely bright (or excessively dark) colors and the worst use of pop music I've seen in a long time.

  • Sunday Bloody Sunday

    Sunday Bloody Sunday

    ★★★★½

    Outstanding and surprising portrait of London in the 70's. A film on changing sexual and moral behaviour, but also a great relationship drama. I already loved "Midnight Cowboy", but John Schlesinger seems to be an interesting director to explore in years to come.