Wheatley is so brilliant at composing striking images that nobody ever noticed he has no clue how to define a space or choreograph action within that space? Honestly it's hard to believe Scorsese let him get away with it. A charitable read would class the action here as impressionistic rather than incoherent, but just because the characters don't always know who is shooting and where doesn't mean the audience should remain confused. At least Jump's dialog is consistently hilarious and…