Letterboxd — Your life in film

Fraser gives a lovely performance, but the movie continues a long Hollywood tradition of treating disability as Oscar bait. The script trades in empathy for voyeurism.

Also, is there an Aranofsky movie that doesn't put its characters through the wringer?

More Judd Hirsch, please.

FBoy Island meets Das Kapital.

The most German scene in the movie: the walking milquetoast of a landlord's son sees Emmi sobbing in her doorway, mutters "good evening," and hurries on his way.

The scenes alternating between the front and the negotiating table are a stark illustration of war's senselessness.

It had been years since I last watched this movie and it left me dazzled all over again. Of course, the fighting sequences are what everyone remembers, but the cinematography is just as breathtaking. And Michelle Yeoh anchors the spectacle with a performance imbued with grace and humanity.

The cast is great, but this comedy-thriller never quite takes off.

Exactly how much could you get for hocking an Apple II in 1980?

MI:2 embodies some of the more unfortunate trends of the early Aughts: emo haircuts, casual misogyny, bird cameos foreshadowing overwrought action scenes, and guys named Dougray.

Foodies are just the worst.

This movie could have been a total schlockfest, but instead we get a thoughtful, unnerving exploration of how technology gives us what we want instead of what we need.

This review may contain spoilers. I can handle the truth.