In the wraparound story of this underrated horror anthology, the Bratz join their new friend Ginger at her house for a sleepover. When it’s time for bed, they all get in their sleeping bags, and Ginger (who has never had a sleepover before) wants to go to sleep, but the Bratz want to tell spooky stories. So they proceed to torture Ginger with five scary stories that she repeatedly states she does not want to hear. Three of them take…
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Bratz 2007
I am very saddened and disappointed by the negative response this has gotten from people I respect or consider friends on Letterboxd. Like, what’s going on guys? Are you ok? It’s not even a lot of people because most haven’t seen this, but I just hate when it’s hard to find fair reviews of movies like this. And by “like this”, I mean masterpieces. Bratz is hilarious, strange, bright, sweet, unique, and full of energy. It tells a great story…
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Being the Ricardos 2021
“They uncovered this thing from her past where she had checked a box that she was a member of the Communist Party. It was sixteen years earlier. She was younger. She was a different person, a different Lucille Ball from who she had become. All she did was check a box. It was a different time. It wasn’t a big deal then! And suddenly her whole career is at stake because of something she did 16 years ago. If you…
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Glitter 2001
This takes place in 1983 for absolutely no reason, which I believe is the same year Panos Cosmatos set both of his movies, also for absolutely no reason. Someone should start up a "movies set in 1983 for no reason" list on letterboxd.com. Glitter at least sets the scene with this ’82 masterpiece playing at a dance club.
I wish this movie was better, but it’s just kinda fine. Obviously not deserving of its reputation, and it’s not even as…
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Invasion of the Body Snatchers 1978
The thing Brooke Adams does with her eyes in this movie might be my favorite thing anyone has done in any movie.
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Face/Off 1997
I saw this as a cynical, shitty teenager, and hated it. Even before revisiting it, I was deeply ashamed of this fact because I knew in my heart I was wrong. I am proud of how much I have matured in the last 17 years as a viewer of cinema, and that I can now recognize Face/Off as one of the greatest films of all time.
