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  • Meet the Feebles

    Meet the Feebles

    ★★★★★

    Among other bits of incredible dialogue, I appreciate the alliteration in “You’re nothing but a loose, lush Lucille!” The Happytime Murders could have taken a cue from this off-kilter piece of depravity that never ceases to enthrall me.

  • The Limey

    The Limey

    ★★★★½

    Hypnotically edited, with shots and dialogue overlapping one another in and out of sync. Plus, Terence Stamp absolutely owns every frame he’s in. The other villains here have gotten older, flabbier, weaker. Not Terry, though, he’s only gotten meaner and harder, crystallized by his time in prison. Almost definitely Soderbergh’s best.

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  • Suspiria

    Suspiria

    ★★★★½

    Evil is no longer some fantastical thing we see in fairy tales. It’s mundane, commonplace, and embedded into the very structure of our society.

  • The Night Comes for Us

    The Night Comes for Us

    ★★★★½

    Hey Netflix, why would you put out a God-level martial-arts/slasher flick and not tell us?