Meliès showing the world what cinema is capable of.
Anything.
Everything essential about cinema is already here.
Light, movement, faces.
Ford's direction is almost musical.
So utterly poetic...
The whole of America crammed into a stagecoach.
This is self-conscious aestethic porn, and I love it.
Tourneur's films are always a pleasure to watch because of their cinematic beauty but this is where he goes all in: dramatic compositions, foreground imagery, chiaroscuro (and other lighting effects), extreme camera angles, texture (smoke, shadows), baroque tinting, depth of field.
And we're only in 1919 !!
Victory is a giant leap in the development of cinema towards a more visual style and it is easy to see Tourneur's film as a precursor to other stylist such as Josef von Sternberg all the way to Ridley Scott's Blade Runner.