Nasty, weird, cruel, a mix of absurdly hot and unwatchably nasty - everything you could want from one of Sato's gay films. The stuff he consistently pulls off on porno production value never fails to amaze me.
Impossibly grating - half of it is horrible self-aware anti-comedy, the other half is sub New Yorker political cartoon commentary, stuffed with hits like Steve Buscemi wearing a "Keep America White Again" MAGA hat and shuffling zombies staring at their glowing iPhones muttering "Wiiiifiiii" and "Siiiiiriiiii". How did this get in competition??