simply can’t seem to shake this off.
yorgos has that effect man, not many do.
wow. what a beautifully bizarre film in essentially every single way.
i went into this having watched a single TV advert and this whole thing blew my head off i can’t lie, poor things is so utterly strange and disturbing, yet absolutely fucking stunning.
emma stone and mark ruffalo are total dynamite. the script is tight, razor sharp and fun. the visuals are wacky and downright dazzling. design and costume is on point. the story is wild, darkly sweet and…
i’m tapped out.
i’m fed up of being fed the same shit in every fucking film this guy makes, it doesn’t make you an auteur, it makes you an amateur.
i think it’s finally time i just accept that the zack snyder project is well and truly over. the most mundane and boring filmmaker working today, comfortably.
(for ME anyway, before you pitchfork wielding cultists come and jump all up on my dick)
i’ll always have Watchmen at least. now…
well i can’t say i hated it. but i can’t say i loved it either. technically stunning, phenomenal performances, great direction with a heavy and very interesting story to boot - but i felt every single minute of the 206 that went by, but i had the same thing with the irishman so maybe its just a me thing.
still, Scorsese is still in his bag for me and that’s all that matters, please keep making movies man
everyone, we found a strong contender for the most half arsed film ever made. my head hurts
bradley cooper and carey mulligan are utterly dynamite on screen.
i really, really enjoyed this, way more than i expected to.
bradley cooper is shaping up to be a very assured, and exciting director, i thought a star is born was pretty sensational, and although it wasn’t better than his first feature, with Maestro, it’s safe to say in my view he didn’t suffer from the sophomore slump, not in the slightest.
i had goosebumps at points and i wanted…
everything and everyone here is firing on all fucking cylinders man, from minute 1.
giacchino’s dreamboat of a score is ethereal. the performances across the board are so cartoony and over the top (which they need to be and that makes the film so much more endearing!!!).
the editing is eccentric in the best way possible. the final race is utterly jaw dropping and a psychedelic trip quite like no other.
once giacchino’s soaring score kicks into gear again during…